
Dominic Episcopo

We have been engaged in various visualisation projects for one of the most innovative aerospace companies around: Rocketlab These videos really get to scratch our sci-fi itch and the engineering accomplishments out of this NZ originated company are nothing short of inspirational
Who needs a food shoot? We undertook some delicious modelling and texturing to help launch Tropeaka’s new protein supplement range
Working with some wonderful creative from Big allowed us to craft some visual delight with Al Brown down on the farm Directed, edited & produced by Bunker
We brought to life an early-order print campaign in 3D for use across digital social channels
Small-scale and super-stylized, this series of character pieces were entirely designed, built and animated in C4D and rendered in Octane
A delightful new campaign for Vero, produced, directed & edited by Bunker, with creative from Big Best leave things to the experts
Working with our friends at Big we created this 3D illustration of Auckland’s iconic Skytower with a mid-winter dusting of snow, which was the key asset of their print, outdoor & digital campaign for Christmas 2018
Working with Colenso BBDO we created this water colour inspired Piwakawaka journey through Kawarau using painting, 2D & 3D animation techniques
Rather than taking a walk outside, we instead messed with our own studio logo and returned with this visual frolic
North Kiteboarding has asked us to create 3D product visualizations of their 2020 product range
Below you’ll find a selection of the renders
Working with agency Switch, we created 3D illustrations for Ecoya for print and online 100% CGl, modelled and rendered in C4D and Redshift
Working with Big, we created the visual collisions that created the cornerstone of Barfoot & Thompson's fresh new rebrand
The Field Guide to Evil: Opening title sequence Entirely modeled and animated in C4D, we were charged with bringing a Candy wonderland to life with an army of fun-loving characters
Seesaw briefed us in to design a title sequence for The New Legends of Monkey with only one hard-set parameter: length They wanted it short and sharp - almost like punctuation to hard cut out of the opening gambit and kick off with some momentum into the episode
Although short in length, Bunker still wanted to come at it in a way that could neatly encapsulate the spirit and fun of the show We focused our early development on the Monkey King's crown before settling on his staff, creating a kinetic movement that culminates in a fire-kissed logo resolve, giving the viewer a taste of the magic and martial arts that await
Working on a short timeline, we went through a few creative approaches before settling on the short, sharp sting that now opens the show
Working with Switch, we are collaborating on their "Path to Purple" campaign for the Design Institute's annual awards drive Working with the signature awards pins as motifs, we will be taking DINZ members on a delightful visual journey throughout 2018
A brand new brand campaign for insurerer Vero, shot in one big studio day and delivered and on air a week later Made by Bunker for our friends at Big Made with creative agency Big, we returned to the elegance and stylistic approach from the earlier campaign, with a strong focus on some exceptional local craftsmanship
Mediaworks came to us to add some sizzle to the launch promo for their biggest show of the year So we whipped out the felt pens and got rotoscoping and created this award-winning piece of work
Created the sequined key art for Sky City's sellout New Year's show Working with our friends at Big, we laid out the 3D sequins one by one and rendered in Redshift for the outdoor and online campaign
Working with agency Big, we crafted this 30 second launch video for Barfoot & Thompson's 2017 sponsorship of the World Masters Games in Auckland
In addition to the video assets, we created high quality print assets for a comprehensive outdoor campaign
Made with C4D, V-Ray and substance painter A bit of a making of vid is below
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